his show is a child of the Internet.
Within virtual "cyberspace", artists of distant lands become acquainted with
each other's work and collaborations are conceived. Such multi-cultural, multi-national
and multi-media comingling of distant creativities then channel back online and become
original Web-based, Web-bred, "cyberculture". Through the synthesis of such
creative energy and vision, members of Internet art "rings" such as the
international r2001.com provide e-culture for the millions that roam the vast and
virtual frontier called the World Wide Web.
Pygoya and Gardiana became acquainted as fellow members of r2001.com. They both utilize
the digital graphic medium to express their artistic talents and harbor mutual
appreciation and respect for each other's work. Eventually Gardiana visited Pygoya in his
native Hawaii. Upon returning to Taiwan the concept surfaced of using Gardiana's touring
photographs of the island as content for a co-project that counterbalanced Pygoya's art,
endemic to the land in which he lived. Thus literal tropical landscape, seascape and the
city of Honolulu are contrasted if not transformed through the eyes and mind of a visiting
"tourist" artist when coalesced with the digital painting of the Hawaiian
contemporary "computer artist".
Adept with the wizardry of multimedia, Gardiana directs and produces Hawaii Digital
Art Capsule. The result is a stunning new vision of this land called
"paradise" with its hula girls, palm trees, idyllic beaches and scented garlands
of flowers. The online artistic experience is built on polarities, such as nature/city;
abstract/realism, tourist/local perspectives, past/present and even day/night.
What is most salient for these two artists is their momentary encounter of each other's
way of seeing Nature, now encapsulated as a "show" online. A historical meeting
of artistic visions in the real world of Hawaii becomes timeless, yet ephemeral
"virtual reality" within Internet cyberspace.